My Creative Process
My creative process typically begins with a simple sketch or idea, which I then work to refine and develop over time. I'm drawn to the tactile nature of metalsmithing, and I love the challenge of working with varied materials to bring my designs to life. Each piece I create is unique, and I'm always exploring new techniques and materials to continue pushing the boundaries of my craft.
My Creative Research
Jewelry is an external representation of my personal journey, including the people, places, and artists that have led me to this point. Since jewelry is a way of adornment, the work represents and creates new stories through the wearer and the places they are seen and unseen. My current studio practice includes developing inlay techniques as well as grinding crushed synthetic and real stones for inlay.
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These studies have all led into the current exploration of connections through the imagery of knots. Each knot serves as a metaphor for the relationships and bonds that shape our lives. Loose knots suggest moments of openness, flexibility, and exploration, while tight knots represent commitment, tension, or entanglement. Complimenting the knots that I use, are individuals as symbolic flowers, where each bloom carries meaning about its position in a relationship or connection. A wilting flower next to a blooming one suggests a relationship turning toxic or unbalanced, whereas two flowers flourishing side by side reflect harmony, mutual growth, and thriving connections. Together, knots and flowers visualize the emotional and relational dynamics that shape our experiences, creating pieces that are both intimate and reflective of broader human and environmental interactions.
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I consider my work to be an outward manifestation of my own experiences within the areas I’ve traveled and individuals I have encountered. With the combination of different metalworking techniques and personal experiences, I’ve developed work that adorns the body with memories that stir my soul.